From the Auditorium Parco della Musica in Rome, Maestro Antonio Pappano conducts the Orchestra dell'Accademia Nazionale di Santa Cecilia in Hector Berlioz’s Grande Messe des Morts, composed in 1837.

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Las Sangres 1856. Women from a small religious community are found dead and mutilated. Jakob the patriarch of the community asks James, a taciturn cow-boy to investigate the murders.

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Commissioner Badger got a search warrant in hand. Harassed arrived on the spot, told him his assistant from the dark machinations in the property. Black masses, demonstration of slaves, and perverse sexual practices. appear on the agenda. But then he faces the Countess. He looks into her inscrutable eyes and is now itself caught in the deepest depths of pleasure.

This release from Erato consists of highlights from the live concert of April 15, 2017 in the city of Strasbourg in eastern France. A magnificent cast of singers, predominantly Francophone, assembled under the baton of John Nelson, an acknowledged master of Berlioz’s music who has conducted Les Troyens more frequently than anyone else over a period of more than 40 years; he made his name with the piece when he led performances at New York’s Metropolitan Opera in 1974 and enjoyed great acclaim for a production at the Frankfurt Opera shortly before the Strasbourg concerts.

After a siege of ten years, the Greeks leave Troy. A giant wooden horse has been left on the beach. Despite Cassandra's dark premonitions, the offering is borne into the city...Pierre Audi directs Dutch soprano Eva-Maria Westbroek and American tenor Bryan Hymel in this epic Berlioz's opera, that requires an omnipresent chorus, a huge orchestra and a great virtuosity from the solists.